Please consider joining us this Sunday, February 26th, for what promises to be one of the most amazing dance performances ever to be held in the Northeast Kingdom. Produced by the John F. Kennedy Center for the Performing Arts and presented by Kingdom County Productions in association with Catamount Arts, this show will feature the world's premier ballet dance company performing the work of their legendary namesake and choreographer, Balanchine prodigy Suzanne Farrell. You do NOT want to miss this show!
In order to bring dance productions of this quality and magnitude to rural Vermont, it is imperative that we fill each show with an enthusiastic audience. We need your help to spread the word and fill the seats. Please pass this message along and invite your friends and family to join us at this very special event. Tickets are available online or by calling the Catamount Regional Box Office at 802/748-2600.
Produced by the John F. Kennedy Center for the Performing Arts
Suzanne Farrell Ballet
7:00 PM
Sunday, February 26th at Lyndon Institute
"Understated glamour, alluring reserve, and attention to detail" is how The New York Times describes The Suzanne Farrell Ballet, led by the legendary New York City Ballet principal whose career of three decades made her the most influential American ballerina of the late 20th century. One of 20th century master choreographer George Balanchine's most celebrated muses, Farrell has staged Balanchine's acclaimed dances for a range on companies, including the Paris Opera Ballet, Royal Danish Ballet, Berlin Opera Ballet, Vienna State Opera Ballet, and Bolshoi Ballet. Produced by the John F. Kennedy Center for the Performing Arts, the Suzanne Farrell Ballet will perform an all-Balanchine program that includes some of this dance master's most cherished works.
"Stravinsky once remarked to Balanchine that the young Ms. Farrell was the most musically intelligent dancer he had ever seen. Now she is passing that quality on." - Alastair Macaulay, New York Times
"Too distinctive, too juicy, too fabulously fearless to pass up."
An Acoustic Concert to Benefit Kingdom County Productions
7:00pm, Sunday, October 23
Fuller Hall, St. Johnsbury Academy
Tickets: $87, $77, $67, $110 (Gold Circle)
Tickets on sale online here starting Monday, April 4th and at the Catamount Arts box office starting Tuesday April 5th.
Kingdom County Productions (KCP) is proud to announce its plans to present multi-platinum Grammy winning country music star LeAnn Rimes in an intimate acoustic concert to benefit KCP’s performing arts programs for the local community and area schools. Tickets are available at Catamount Arts, St. Johnsbury or by calling 802-748-2600 ext. 2. 24-hour online sales are available at www.CatamountArts.org
LeAnn Rimes skyrocketed to stardom at the age of 13, becoming the youngest country music star since Tanya Tucker (in 1972). Her debut album, Blue, reached # 1 on the Top Country Albums chart and the album’s lead single of the same name (originally intended to be recorded by Patsy Cline in the early 60’s) became a Top Ten hit. Rimes became an immediate national sensation, with many declaring that her spectacular voice made her the finest female country vocalist since Cline.
LeAnn Rimes has released ten studio albums and placed more than 40 singles on the international charts. She has sold more than 37 million records worldwide. She has won nearly every major country music award, including two Grammys, twelve Billboard Awards, and three Academy of Country Music awards. She is also the youngest person to ever win a Country Music Association award.
Fans will be treated to a rare opportunity to hear LeAnn Rimes astonishing voice in the intimate environment of Fuller Hall, accompanied only by guitar, pedal steel, percussion, and bass. Or as the Grand Rapids Press described her singular talent,
“a throaty, rich instrument of storytelling and emotion, a deluxe brocade of texture and shine.”
Proceeds to benefit Kingdom County Productions’ performing arts program for community programs and schools.
“Rimes showed she still loves what she does, and does it incredibly well. She hit notes for the angels.” -- Washington Post
“LeAnn Rimes acoustic concert was more than pleasant. It was awesome. Without having to compete with the heavy amplification of country rock as she's done for the past 15 years, Rimes hit all the right notes.” -- Columbus Dispatch
“Terrific.” – New York Times
“Her performance was a potent, concise reminder of just how deeply a sound can seep into someone's soul.” – Dallas Morning News
CHRIS CAGLE
8pm on June 4th, August 5th, 2011
Caledonia County Fairgrounds
Lyndonville, Vermont
Proceeds benefiting Lyndon Institute
$35 General Admission on the Track (Standing) in front of the stage
$30 General Admission in the Grandstands (Covered)
Tickets go on sale Friday, March 25th at 10:00am here.
Sponsored by NSN and Kix 105.5: Today's Hot New Country
If Chris Cagle were nothing more than a man who lives life at full-speed, taking corners on two wheels, he would still be one of country music's more interesting characters. There aren't many in the industry who can put passion and energy on stage or on record the way he can. But a man doesn't go gold with his first two albums and produce seven hits--including four Top Tens--on nothing more than bravado. Chris's secret weapon lies in his ability to rope the whirlwind, to capture its motion and emotion with his pen and his voice. It is, as Wordsworth said, where emotion is recalled in tranquility that poetry is created, and it is there that Chris's untamed spirit becomes art.
The two sides of Cagle's compelling psyche come together beautifully on his third album, Anywhere But Here, a collection that crystallizes the promise of the first two and takes him another big step forward. Its first single, "Miss Me Baby," is four minutes of raw drama sung with a nuanced intensity that announces Chris's growing maturity as a vocalist. It also represents the eighth time he has hit the Top 40 with a song he has written or co-written.
The album captures a renewed Chris, back from vocal rest and a period of intense introspection, reflecting on the complex emotions to be found in living a modern life in the spotlight. He knew early in the recording process that he and co-producer Rob Wright had found something special.
"I had gone back to the studio where I did my first album," he says. "Same musicians, same engineer, everything. We were doing 'Miss Me Baby' and I thought, 'Oh, my gosh, we really do have something.' It was like the first time I heard 'Laredo' after we mixed it and I thought, 'I've got a shot.'"
Chris is convinced that his long period of enforced vocal rest--something his restless spirit found nearly intolerable at the time--have left him in a better place vocally.
"The one thing that has changed with this record over the last two," he says, "is the dynamic of the vocal. I'm not just singing hard at everything. I've been learning, listening to people like Conway Twitty, and there were times recording things when I'd think, 'Yeah, that's natural. That's what you want.'"
That new sense of control comes through in songs like "Maria," a sultry and powerful look at passionate love, "I Was Made For You" and "You Still Do That To Me," songs that celebrate lasting love, and "Anywhere But Here," where every note catalogs the lyric's pain.
On the rowdier side, there is "Hey Y'all," a flat-out rocker about the joys of outdoor partying, "Might Wanna Think About It," which finds the tough-minded Texan staking out his territory in the modern-day battles over rights and obligations, and "Wanted Dead Or Alive," a fresh reading of the '80s-era Bon Jovi classic. There is also "Wal-Mart Parking Lot," a quintessential small-town tale of coming of age at this generation's equivalent of the town square. The song helps anchor an album's worth of real life sung by one of the country artists most able to turn reality into memorable music.
"I've got a lot of high hopes for this record," he says. "I tried to make music that was better without necessarily making it different because I love the music that I've made in the past."
